Journal

Notes on the work

Stories, methods and places behind the paintings of C. Sperry Andrews III, drawn from his letters, sketchbooks and the friends who knew him.

Untitled landscape, by C. Sperry Andrews III
Untitled landscape
From the Landscapes collection
Crescent Beach, Block Island, Tower View, oil painting of cottages and the sea seen through a window

Block Island

Block Island Through Friends' Eyes

Harbors, bluffs, ponds and farmhouses. A look at the island Sperry Andrews painted for years, and the friends who remembered painting beside him.

October 17, 2026 · 2 min read

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Oil landscape of rolling farmland and a distant lake seen above barn roofs and silos

Books · Weir Farm

The 1958 Letter Behind "Beauty to Embrace in an Afternoon"

A year after moving to Weir Farm, Sperry Andrews wrote down why he wanted to be an artist. Nearly seventy years later, one line from that letter named a four-volume collection of his work.

October 1, 2026 · 3 min read

Where the work was made

Painted on the spot, across the Northeast

He finished his paintings outdoors, in front of the subject. Choose a place on the map to see the work made there.

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